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Richard Jones Furniture

The Making of the Omega Console/Hall Table Laminated Underframe

Link to studio photographs of the Omega Console/Hall Table

The two main tasks in constructing this table were:
  • Forming the front and rear wooden arced frames that connect the table's foot to the rail structure carrying the table top.
  • Attaching the foot and the rail structure accurately to the two arced frames ensuring that the bottom edge of the foot was parallel to the top edge of the rails.
 The arced frames were made of 2.5 mm (~3/16") thick American cherry constructional veneers (see below), bent over a single male MDF former, glued using slow set epoxy resin with added colloidal bulking agent. The choice of glue was dictated largely by a need for an extended open time whilst the glue was applied followed arranging the veneers or laminates on the former and bending them permanently into the required shape: in this case the slow set epoxy resin gave about 40 minutes of working time, ideal for a relatively stress free glue up. A vacuum press provided the pressure to pull the laminates tight to the former, and tight to each other. Eleven layers of veneer were used for each arc resulting in a laminate approximately 28 mm (1-1/8") thick by 60 mm (2-3/4") wide.

Below. The constructional veneers came in longer and wider lengths to start with, but at this point they had been cut into pieces roughly 140 mm wide because the plan was to split the resultant laminate of the glue up into two widths giving two pieces each finishing at 60 mm wide. Doubling up the width in this way also results in halving the number of glue ups required, which is a time saving technique when pressure needs to be applied for ten or twelve hours, as is the case with slow set epoxy resin when no additional heat is available.

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Below. Routing out a pattern or template for the bending form using a hand held router and a trammel.
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The template was attached to seven further pieces of 18 mm (3/4") MDF one at a time with a couple of screws ...
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... which was bandsawed close to the template's edge and then passed under an overhead router fitted with a top bearing pattern cutting bit, below.
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Below. A rig was required to assemble the eight routed pieces that go to make up the former's width of 144 mm (~5- 11/16"). This consisted of a flat MDF base, a couple of odd scraps of MDF set to a line running left to right as viewed, a couple of cross bearers (the two bits of MDF with bevelled top corners) and a bit of MDF and spare wood sitting vertically to the base, all carefully set out square and perpendicular to the base board, and fixed in place with screws. The job of the cross bearers is to capture a notch cut into the straight edge of the pieces that go to make up the former.
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Below. The same assembly rig as above seen from the opposite side. If you look closely you may just be able to make out a small nipple at top dead centre of the MDF's arc. This was used to ensure alignment of subsequent pieces of MDF added to make up the requisite width of the former.
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Below. The completed former simply glued and clamped together on the assembly rig. Alignment was almost perfect requiring just a little planing to knock off the ridge of nipples, mentioned in the previous caption, at the top and light sanding to even out a minor discrepancy or two.
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Below. Plastic sheeting was taped over the former to prevent the laminated bend sticking to it, glue brushed on to the veneers, which were then placed over the former already sitting on the platen of the vacuum press, and a vacuum pulled to suck down the bend.
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Below. Close up of the glue being squeezed out from between the layers of veneer during pressing.
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Below. One bend complete after leaving it overnight in the press. The second bend was done the following night.
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Below. After forming the bend a straight edge was required. This was done with a No 7 jointer plane, essentially in the same way that a straight edge is formed on the edge of a straight board by hand. A bit of ingenious rigging up on the bench was needed to hold the piece involving the bench dogs, F cramps, and out of sight at the back another couple of clamps and a piece of MDF with an arc cut in it to roughly follow the arc of the formed bend. Following this procedure which was undertaken on both edges, the bend was cut into two widths of 60+ mm on the bandsaw and these sawn edges straightened parallel to the existing straight edges in a thickness sander which, fortunately, had a wide belt and feed belt that could accommodate the radius of the arc as it passed under the sanding belt.
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Below. Moving on, a method was devised to fit the foot and top rail accurately to the arced frames. The start of this process involved finding a means to rout an arced groove the same width as the thickness of the curved arced frames into the inner faces of both the foot and the rails. A pattern was made out of a piece of 18 mm MDF and a 3 mm (~1/8") deep arced groove of the same inner and outer radii as the curved frame was worked in it with a router and trammel.
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The internal and external radii of the groove matched the thickness of the glued up laminations, see image below. This was also the point at which the two laminated arcs that make up each of the front and back arced frames were cut to length ready for the later operations of fitting them to the foot and the top rail structure.  Notice, for instance, the precise butting together of the two arced laminations towards the rear of the picture. The gap between the laminations in the foreground go to the table's top side.
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Below. Sitting on top of the grooved MDF is the half elliptical foot template used to set out its shape and position on the jig, and the resultant visible pencil mark. The same procedure was used for the top rail that supports the table top. Marking was done simply by lining up the straight edge of the template with the straight edge of the large assembly jig, as well as matching centre lines on the two parts, and running a pencil around the template.
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Below. The next stage required trimming the MDF on both edges on a sliding table saw. The edge for the position of the foot was reduced in width by the height of the foot, i.e., 100 mm and the edge for the top rail reduced by its height, i.e., 75 mm, thus reducing the the assembly jig's width to 655 mm from its original 830 mm. Following this operation the edge of the cherry parts, still rectangular, and therefore not yet shaped to their elliptical profile, were lined up and butted up against the edge of the jig and the two parts clamped together. The router on its trammel was used again to continue the arc through the cherry parts. Notice that the eventual shape of the foot (in pencil) can be seen in between the dust and chips on the near side of the router.
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The following stage is something I forgot to photograph at the time of manufacture, but I hope to be able to convey the procedure through the following two images. An assembly jig was made up as below with a piece of MDF and two pieces of plywood (and other odds and ends) set out as below. The two plywood pieces are parallel, and spaced 830 mm apart. The hatched ring merely indicates the position of the arced laminated parts.
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Below. To illustrate the procedure, here the foot and rail template have been placed where the actual cherry parts fitted. Arced pencil lines faintly visible on the templates indicate the groove worked in the cherry parts as seen in the routing procedure two photographs up. The arced laminations were notched around the thickness of the cherry foot and rail so that it fitted into the arcing groove, but the depth of the notch was such that the edge of the laminations missed the surface of the MDF assembly jig by roughly 2 mm. The four roughly circular holes in the large base board were for assembly of the rear portion of the foot, rail and arced lamination assembly. These holes provided enough room to fit a screw through both the foot and the rail into the laminates. Being at the back I didn't mind the fact that the head of the screw would show, but this will only be the case if the table is pulled away from the wall it sits against. The front portion of the same assembly was screwed together through counter-bored holes in the laminations into the foot and rail.
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Below. The foot partially built and dry assembled. Note the arc of the shallow groove ready to accept the laminated parts at the later final assembly.
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In the image above two short rectangular cross pieces connect the elliptical front and back parts of the foot. To save some effort and time hand planing these two short parts, a few pieces of ply and MDF were cobbled together to make a right angle jig for the bandsaw table, and the short cross rails were attached to this jig with a couple of screws thus presenting them safely to the bandsaw standing on their end. The bulk of the waste was trimmed off both pieces using this holder, see below.
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Below. Some final assembly shots. Note that the laminated arc scribed to the curve of the foot, and notched so that its front edge sits back from the face of the foot by a couple of millimetres.
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Below. The rails under the the table top have a similar construction to that used for the foot. The straight pieces spanning between the ends of the arced laminations serve to both fill in the gap neatly and provide a place for a screw to pass through to hold the top in place along with similar screw holes in the short cross rails at both ends of the framing.
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Below. Screws holding the framework together are clearly visible on the rear wall facing part of the foot. Similar screws driven in through the back face of the laminated arc are disguised with pellets, here still sitting proud of the edge of the lamination, but later flushed off and polished along with the rest of the table.

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Front view of the dry assembled underframe below, ready for final gluing up.
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Link to studio photographs of the Omega Console/Hall Table

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