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| Richard Jones Furniture
Teaching and Student WorkI am the Course Leader of the BA (Hons)/ Foundation Degree in Furniture Making at Leeds College of Art.
In a real sense this a role in which I organise, facilitate and
guide the work of many people in a complex programme of
instruction, learning, discovery, student self-motivation and
their desire to learn. This
occurs through the curriculum I had a large hand in creating, and the
briefs I write to elicit responses from the students I
teach. Naturally students have different interests in the complex
world of furniture design and making and various ambitions for their
future in the field of woodworking; it is important that opportunities
are presented to students that allow them to develop their potential,
as well as meeting the requirements to qualify.
The
course combines traditional craftsmanship with a thorough understanding of
contemporary manufacturing and modern business practices. It also
provide students with the background skills and knowledge in place in
order for them to aim at working at the highest levels of
furniture-making and related woodworking businesses.
Of
course, like all good things in life, being a successful student
doesn't come without effort on the learner's part. Successful students
are the ones that grab every opportunity to learn something new and push themselves to develop in their chosen subject.
Course content
First-year modules
- Hand-Production Techniques: produce a piece of furniture using only hand tools laying the groundwork for all other making.
- Machine Production Techniques 1:
construct an item of furniture using machine
woodworking skills almost
exclusively; build on the foundations established in the hand
production techniques module. - Design and Prototype:
in this final practical module of the academic year you draw together
all the skills you have developed through study and practice in
other modules to
design and make a piece of furniture.
- Wood Finishing:
learn the basics of contemporary practical wood finishing techniques, why finishes are applied,
how to colour wood, characteristics of different finishes and their appropriateness in different end use circumstances.
- Timber Technology:
it is essential to
understand the primary raw material of the craft
furniture designer and maker. How trees grow, their
structure, the difference between angiosperms and gymnosperms,
felling, conversion, drying wood, moisture in air and its effect on wood
movement, faults in wood, etc. - Design Elements and Principles:
Essential drawing skills, primarily sketching, creating presentation
drawings, etc. Develop skills in the design process and design cycle.
- Technical Communication:
How do you communicate your final designs to other professionals? Learn
how to create orthographic projections (working drawings) using
AutoCAD. There are other drafting programs that are effective, but
AutoCAD is the industry standard.
- Critical Studies 1:
A broad study of the history of art and design; historical furniture
design did not happen in isolation. To understand where we have come
from we need to place furniture design into context with the rest of
art and design history.
- Personal and Professional Development Module 1: An opportunity to develop a personal point of view, whilst looking to
your future. Set your own targets to develop as a professional designer
and maker.
Second-year modules-- leading to the Foundation Degree in Furniture Making
- Design and Make: depending
upon opportunities presented to the college the form of this module may
require students to respond to a competition set by an outside body,
respond to a live client brief, or work to a college devised brief.
- Machine Production
Techniques 2: This
module asks students to look at the
possibilities of batch and mass
production. They research, design and make a piece or pieces of
furniture suited to this form of production. - CNC Production: the
module introduces students to CNC production techniques. As the cost of
this equipment comes down in price businesses are better able to
include CNC work into their workshop. This module runs approximately
concurrently with Machine Production Techniques 2 (above). Many
students find a synergy between these two modules to satisfy the
outcomes of each one.
- Exhibition Piece: at
the end of two years of study students propose, justify, design and
project manage a substantial piece of work for their end of year show.
- Enterprise Studies: you
may be a fine furniture designer and maker, but if you don't understand
basic principles of business practice you will find it very hard to
survive in business.
- Critical Studies 2: building
on the critical studies undertaken in the previous year students hone
their analytical, reflective and critical skills in preparation for
their dissertation in year three, or for the world of work.
- Personal and Professional Development Module 2: students
demonstrate refinement of their personal point of view in relation to
the furniture studies ready for the next stage of their life.
Third Year Modules-- leading to the BA (Hons) in Furniture Making (from 2010)- Professional Practice:
students propose a course of study. It may be a work experience, a
competition brief, a live project, a personal interest in a particular
facet of furniture design and making, etc.
- Dissertation:
a substantial academically formatted document in which a student
demonstrates their advanced ability to research, reason, assimilate,
analyse and critique a subject of their choosing.
- Final Major Project:
students research, propose, justify, manage and create a major piece of
work to demonstrate to the outside world their readiness for life after
study.
- Personal and Professional Development Module 3:
as with other modules in this final year of study, students propose how
they will respond to this module with a view to enhance a subject or
personal skill in readiness for the world of work.
© 2010 Richard Jones |